首页|批判现实主义视阈下穆索尔斯基声乐作品研究——以《跳蚤之歌》为例

批判现实主义视阈下穆索尔斯基声乐作品研究——以《跳蚤之歌》为例

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基于批判现实主义视阈剖析俄国音乐家及其作品,发现穆索尔斯基作为民族乐派代表人物、俄国近代现实主义音乐奠基人,其创作思想具有民主性与民族性,创作手法具有前瞻性与开创性,主张用音乐反映社会现实.他的音乐作品具有反映人民疾苦的批判现实主义倾向,其中《跳蚤之歌》极具代表性.作品采用叙述性的音乐语言以及戏剧性的表现手法,结合"声乐演唱"这一时间艺术,实现了多层次音乐形象架构.分析《跳蚤之歌》音乐形象架构实施路径,以多元化视野深入挖掘穆索尔斯基批判现实主义音乐作品的社会功能,希冀为未来声乐作品创作与演唱研究拓宽思路.
Research on Mussorgsky's Vocal Music Works from the Perspective of Critical Realism——Take Song of the Flea as an example
Based on the analysis of Russian musicians and their works from the perspective of critical realism,it is found that Mussorgsky,as the representative of the national music school and the founder of modern Russian re-alist music,has democratic and national ideas,and forward-looking and pioneering creative methods,advocating the use of music to reflect social reality.His music works show a critical realism tendency that reflects the suffer-ing of the people,such as Song of the Flea.The work uses narrative music language and dramatic expression tech-niques,combined with the time art of"vocal singing"to achieve a multi-level music image structure.This paper analyzes the implementation path of the music image structure of Song of the Flea,explores the social function of Mussorgsky's music works of critical realism from a diversified perspective,and hopes to broaden the thinking for the future research on the creation and singing of vocal music works.

critical realismMussorgskyvocalsSong of the Fleasocial function

胡曼丽

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淮南师范学院 音乐学院,安徽 淮南 232038

批判现实主义 穆索尔斯基 声乐 《跳蚤之歌》 社会功能

2024

安徽理工大学学报(社会科学版)
安徽理工大学

安徽理工大学学报(社会科学版)

CHSSCD
影响因子:0.233
ISSN:1672-1101
年,卷(期):2024.26(6)