"霍桑归来记"——以1980年代后期"霍桑探案"小说的出版及视觉化改编为中心
"The Return of Hawthorne"—Centered on the Publication and Visual Adaptation of"Hawthorne Detective"Novels in the late 1980s
战玉冰1
作者信息
摘要
程小青的"霍桑探案"系列小说作为民国时期最重要的中国本土侦探小说创作,曾经一度销声匿迹近40年.直到1986年才重新浮出历史地表,被群众出版社、吉林文史出版社等众多出版社在短短几年内大规模重新出版,其中市场化的驱动、文化政策的管控与学术出版的诉求交织在一起,形成了一个复杂的文化生态场域.而1989年"霍桑探案"连环画改编的集中问世,既是以小说的重新整理作为文本基础,也接续了1980年代中国连环画生产的热潮,同时还受到了日本漫画等外来艺术形式的影响.虽然,"霍桑探案"在1980年代后期的"归来"是短暂的,但却为我们提供了一个跨媒介、跨文化的视点,来观察当时社会经济变革、文化转型与文学生产.而其中所包含的市场追求、文化消费与新娱乐形式等面相,在随后到来的1990年代里,就愈加发展得浩浩荡荡、势不可挡.
Abstract
Cheng Xiaoqing's"Hawthorne Detective"series novels,as the most important local Chinese detec-tive novels in the Republic of China,once disappeared for nearly 40 years.It did not reemerge until 1986,and was republished on a large scale by numerous publishing houses such as the People's Publishing House and Jilin Litera-ture and History Publishing House in just a few years,in which the market-oriented drive,the control of culture poli-cies and the demands of academic publishing were intertwined,thereby forming a complex cultural ecological field.1989 witnessed the centralized release of the"Hawthorne detective"picture-story books adapted from Hawthorne detective novels,which was not only based on the rearrangement of the novels,but also followed the boom of Chi-nese comic production in the 1980s,and meanwhile was influenced by foreign art forms such as Japanese comics.Although the"return"of"Hawthorne detective"in the late 1980s was short-lived,it provided us with a cross-media and cross cultural perspective to observe the social and economic changes,cultural transformation and literary pro-duction at that time,while the market pursuit,cultural consumption,and new forms of entertainment thus included became increasingly powerful and unstoppable in the following 1990s.
关键词
程小青/霍桑探案/连环画Key words
Cheng Xiaoqing/Hawthorne detective/picture-story books引用本文复制引用
基金项目
国家社会科学基金优秀博士论文出版项目(21FYB046)
上海市哲学社会科学规划青年课题(2021EWY001)
出版年
2024
NETL
NSTL
万方数据