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论梁斌小说叙事的"戏剧化"特征

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梁斌的创作以对"民族形式"的自觉追求为内核,除了注重地方风俗、方言土语以外,叙事的"戏剧化"特征也是其呈现地方色彩的重要路径.在叙事"戏剧化"的倾向下,打破了小说和戏剧的界限,呈现出文本的复杂性.作家通过场景化叙事、情节"戏剧化"设置以及戏剧元素的插入等方式,形成了吸引读者的"有浓有淡"的叙事节奏,表征出带有淡化悲情内核的喜剧色彩、传奇性以及革命风景画的文学空间,体现了丰富的戏剧性审美书写.梁斌小说的"戏剧化"特征与他的个人经历密切相关,作家在山东剧院和新世纪剧社的学习、实践经历转换为日后其小说的创作经验,而梁斌对中国古典文学的阅读也是其"戏剧化"特征形成的重要精神资源.通过梳理梁斌小说叙事的"戏剧化"特征,探索出作者对文学的艺术探索以及革命叙事的文学性路径.
On the"Dramatized"Features of Narrative in Liang Bin's Novels
Liang Bin takes the conscious pursuit of the"national form"as the core in his literary creation,so besides his due attention to local customs and dialects,the"dramatized"feature of narrative is also an important way for him to present local colors,thus having broken he boundary between novel and drama as well as presented the complexity of the text under the tendency of narrative"dramatization".By means of the scene narration,"drama-tized"plot setting and the insertion of dramatic elements,the writer has developed a narrative rhythm that attracts readers with both intensity and lightness,which represents a literary space with a diluted tragic core of comedy,legend,and revolutionary landscape painting,as well as reflects rich dramatic aesthetic writing.The"dramatized"feature of Liang Bin's novels is closely related to his personal experiences,for his learning and practical experience at Shandong Theater and New Century Drama Society has been transformed into his later novel creation experience,while his reading of classical Chinese literature is also an important spiritual resource for the formation of his"dra-matized"features.By sorting out the"dramatized"features of narrative in Liang Bin's novels,this paper explores the writer's artistic exploration of literature and the literary path of revolutionary narrative.

Liang BinKeep the Red Flag Flying"dramatization"aesthetic value

武兆

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天津师范大学 文学院,天津 300387

晋中学院 中文系,山西 晋中 030600

梁斌 《红旗谱》 "戏剧化" 审美价值

2024

海南师范大学学报(社会科学版)
海南师范大学

海南师范大学学报(社会科学版)

CHSSCD
影响因子:0.154
ISSN:1674-5310
年,卷(期):2024.37(5)