An Analysis of the Generation Pathway of"New Southern Writing"through Lin Sen's Creation
The concept of"new southern writing"has attracted much attention in the academic circles since its inception,but few discussions have been made on the historical process of its formation.The centrifugal aesthet-ics embodied in Lin Sen's works has influenced his revised attitude towards the overall and sectional literary criti-cism discourse.Whether it is the"escape"from the"post-80s literature"in the early years,or his attempts to ex-plore forefront issues of the frontier,the resistance intent in Lin Sen's writing has been dialectically intertwined with,but always wavered against the critical discourse.The vision of"world literature"embodied in the"new south-ern writing"effectively resolves the failure of intergenerational criticism and the binary opposition of"the city-the countryside"as well as"the center-the periphery",which resonates with Lin Sen's reflections on criticism and the ethos of his works.This concept,while giving writers the freedom to write and evoking their oceanic aesthetic char-acteristics,also allows writers to adjust their writing interests through proper integration,and move"centripetally"towards wholeness and grandeur instead.An analysis of Lin Sen's creative approach helps to reflect on the width and narrowness of the literary criticism discourse,so as to effectively develop a sincere dialogue with his works and provide a mirror for the good development of the"new southern writing".
"new southern writing"Lin Sencentrifugationthe critical discourselocality