On the Artistic Paradigm of Secondary Creation of Su Shi's Ci Poems from the Perspective of Modern Music—A Case Study of The Tune of Prelude to Water Melody—How Long will the Bright Moon Last
In the field of modern music,the novel artistic features of the second creation of Su Shi's Ci poem The Tune of Prelude to Water Melody—How Long will the Bright Moon Last are the full expression of individuality and rich pluralism of the Chinese art song paradigm,as well as the classic accumulation of the instant popularity and duration of the Chinese pop music paradigm.Works represented by such composers as Jiang Wenye,Lu Zaiyi,Zhu Liangzhen and Zhou Jiasheng mostly reflect the application of European art song techniques in China;while the works represented by composers such as Han Xia,Wang Zhixin and Ruyi are more devoted to the exploration of the nationalization path of Chinese art songs.Teresa Teng's performance of the song Wishing for a Long Life has gained great popularity in the field of pop music,and since then,the activities of cover singing,tribute and inheritance and innovation have become popular,and thus gradually promoted the overall development of traditional culture,pop music,as well as modern science and technology.
The Tune of Prelude to Water Melody—How Long will the Bright Moon Lastmodern musicthe second creationthe paradigm of Chinese art songsthe paradigm of Chinese popular music
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