首页|非遗纪录片的叙事体系——以淮河流域非遗纪录片为例

非遗纪录片的叙事体系——以淮河流域非遗纪录片为例

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为探究非遗纪录片的叙事体系,文章以淮河流域非遗题材纪录片为研究对象,以框架理论为基本方法,展开对叙事主题、叙事结构和叙事话语的分析.研究发现:作为高层次框架的叙事主题有传承、灾难、乡愁和交融;中层次框架同时使用时间性叙事和空间性叙事的结构,更多采用人物驱动的手法,叙述视角上重呈现、轻讲述;低层次框架中,视觉和听觉元素构建了富有生活气息、时代感和地域特色的叙事话语.中国非遗题材纪录片已经形成具有民族性、当代性、国际性和强大传播力的叙事体系,趋于形成将文化遗产转化为文化影响力的有效路径.
The Narrative System of Intangible Cultural Heritage Documentaries——Take the Intangible Cultural Heritage Documentary of the Huaihe River Basin as an Example
In order to explore the narrative system of intangible cultural heritage documentaries,this article takes the Huaihe River Basin intangible cultural heritage themed documentary as the research object,and uses framework theory as the basic method to analyze the narrative theme,narrative structure,and narrative discourse.Research has found that narrative themes as high-level frameworks include inheritance,disaster,homesickness,and blending.The mid-level framework utilizes both temporal and spatial narrative structures,with a greater emphasis on character-driven approaches and a narrative perspective that emphasizes presentation over narration.In the low-level framework,visual and auditory elements construct narrative discourse with a rich sense of life,era,and regional characteristics.Chinese intangible cul-tural heritage themed documentaries have formed a narrative system with national,contemporary,international,and strong dissemination power,tending to form an effective path to transform cultural heritage into cultural influence.

framework theorynarrative systemintangible cultural heritage in the Huai River Basinintangible cul-tural heritage documentary

李鹏飞

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阜阳师范大学 文学院,安徽 阜阳 236037

框架理论 叙事体系 淮河流域非遗 非遗纪录片

安徽省教育厅2021年高校人文社会科学研究重点项目

SK2021A0392

2024

淮南师范学院学报
淮南师范学院

淮南师范学院学报

影响因子:0.282
ISSN:1009-9530
年,卷(期):2024.26(1)
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