首页|论现代戏曲舞台设计中虚拟性的功能

论现代戏曲舞台设计中虚拟性的功能

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在以物质为媒介的现代戏曲舞台设计中,体现戏曲三大艺术特征(综合性,虚拟性,程式性)之一的虚拟性,仍然有其一定的理论研究及实践价值,可以在物质转化、不同类型结构、多种呈现方式的舞台设计中发挥相应的作用.虚拟性在《牡丹亭》《天下归心》《大唐贵妃》等作品中散发艺术魅力,可以彰显戏曲艺术的特质,体现主体性,避免过度依赖高科技,使现代文明成果和谐融入戏曲舞台设计,更好地服务于现代戏曲发展.
Research on the Functionality of Virtuality in Stage Design for Modern Chinese Opera
In the stage design of modern Chinese opera with material as the medium,the virtuality,one of the three major artistic characteristics of Chinese opera(comprehensive,virtuality,programmatic),still has strong theoretical val-ue.It can play a corresponding important role in the stage design of material transformation,different types of structures,and a variety of presentation methods.Virtuality exudes greatartistic charm in"The Peony Pavilion""you and me"and"Tang Concubines"and other works,which proves that the full use of the virtuality of the connotation of tradi-tional aesthetic spirit can maintain the artistic characteristics of Chinese opera,avoid relying on high-tech dazzling skills,and harmoniously integrate the achievements of modern civilization into the stage design of Chinese opera,and better serve the development of modern Chinese opera.

virtualitymodern Chinese opera stage designimaginary substanceapplication of techniques

王竞、林逸鹏

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安徽黄梅戏艺术职业学院 美术系,安徽 安庆 246052

南京师范大学 美术学院,江苏 南京 210023

虚拟性 现代戏曲舞台设计 意象性物质 技法运用

2020年度安徽省质量工程教学研究项目

2020jyxm0303

2024

淮南师范学院学报
淮南师范学院

淮南师范学院学报

影响因子:0.282
ISSN:1009-9530
年,卷(期):2024.26(3)