论现代戏曲舞台设计中虚拟性的功能
Research on the Functionality of Virtuality in Stage Design for Modern Chinese Opera
王竞 1林逸鹏2
作者信息
- 1. 安徽黄梅戏艺术职业学院 美术系,安徽 安庆 246052
- 2. 南京师范大学 美术学院,江苏 南京 210023
- 折叠
摘要
在以物质为媒介的现代戏曲舞台设计中,体现戏曲三大艺术特征(综合性,虚拟性,程式性)之一的虚拟性,仍然有其一定的理论研究及实践价值,可以在物质转化、不同类型结构、多种呈现方式的舞台设计中发挥相应的作用.虚拟性在《牡丹亭》《天下归心》《大唐贵妃》等作品中散发艺术魅力,可以彰显戏曲艺术的特质,体现主体性,避免过度依赖高科技,使现代文明成果和谐融入戏曲舞台设计,更好地服务于现代戏曲发展.
Abstract
In the stage design of modern Chinese opera with material as the medium,the virtuality,one of the three major artistic characteristics of Chinese opera(comprehensive,virtuality,programmatic),still has strong theoretical val-ue.It can play a corresponding important role in the stage design of material transformation,different types of structures,and a variety of presentation methods.Virtuality exudes greatartistic charm in"The Peony Pavilion""you and me"and"Tang Concubines"and other works,which proves that the full use of the virtuality of the connotation of tradi-tional aesthetic spirit can maintain the artistic characteristics of Chinese opera,avoid relying on high-tech dazzling skills,and harmoniously integrate the achievements of modern civilization into the stage design of Chinese opera,and better serve the development of modern Chinese opera.
关键词
虚拟性/现代戏曲舞台设计/意象性物质/技法运用Key words
virtuality/modern Chinese opera stage design/imaginary substance/application of techniques引用本文复制引用
基金项目
2020年度安徽省质量工程教学研究项目(2020jyxm0303)
出版年
2024
NETL
NSTL
万方数据