摘要
步南宋遗绪,明清两代的古音学家在"说文学"勃兴的浪潮中,完善以谐声推求古音的理论和方法,编撰诸多可谓"后出转精"的谐声韵谱,力求得到更为合理的古韵分部.根据各家对谐声材料,尤其对《说文》的认识和利用程度及其对古音学史的贡献,可将明代杨慎、陈第、赵宦光,清代顾炎武、潘咸、万光泰等二十余位古音学家以汉字谐声材料研究上古音的演进历程,分为明代的萌芽与探索期,清代的奠基与勃发期、成熟与兴盛期和融合与消退期四个主要阶段,并通过对比和分析,评述诸家的贡献和不足.
Abstract
Following the history of the Southern Song Dynasty,the ancient phonologists of Ming and Qing Dynasties in the wave of"Study on Shuo Wen",improve the theory and method of harmonic sound about the ancient sound of Chinese,compile many harmonic rhyme spectrum that more sophisticated,and strive to get a more reasonable division of ancient rhyme.According to the harmonic materials,especially for the understanding of"Shuo Wen"and utilization degree and its contribution to the history of ancient sound,can be visible Yang Shen,Chen Di,Zhao Yiguang in Ming Dynasty,Gu Yanwu,Pan Xian,Wan Guangtai in Qing Dynasty,more than 20 ancient Chinese phonologists to study the evolution of the ancient material,divided into the incipient and exploration,the foundation and booming,mature and prosperous,fusion and fade period four main stages,and through comparison and analysis,review the contribution and insufficiency of these phonologists.
维普
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