摘要
《萤灯》和《桃金娘》两篇童话,是许地山重视理论和切实践行文艺民族化大众化的必然反映.其源点和动力来自作者对儿童启蒙的重视、小说情结的延续和乡愁的蛊惑.许地山赓续民间童话的叙事套路,举重若轻,大胆将更充分的解释说明、富有表现力的歌诗等新质文化元素融入情节中,增加童话的客观性和抒情意味,让读者充分领略到"人生""智慧""美丽"三合一的有生命的整体力量.
Abstract
Both"Firefly Lamp"and"Myrtle"reflects Xu Dishan's emphasis on theory and practical implementation of the nationalization and popularization of the literature and art.The source and motivation derive from the writer's emphasis on children's enlightenment,the continuation of the novel complex,and the temptation of homesickness.Xu Dishan develops the narrative tactics of Ethic Fairy Tales,boldly incorporates new culture elements such as more comprehensive explanation and expressive poems into the plot,enhances the objectivity and lyrical meaning of fairy tales,which enables the readers fully appreciate the power of"life","wisdom","beauty"in a living entirety.
维普
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