论施蛰存小说城乡叙事的风景书写
On the Landscape Writing of Urban and Rural Narratives in Shi Zhecun's Novels
路棣1
作者信息
- 1. 上海师范大学人文学院,上海 200233
- 折叠
摘要
施蛰存的城乡叙事小说呈现出双重空间的视角转换,透过主体之眼,大量的风景书写突破了传统桎梏,在现代文本中承担起新的叙事功能.风景作为内在心理的外在表征,与"乡下人""城里人"始终处于紧密的对话关系中."雾""春阳"发挥其隐喻修辞效果,都市风景背后隐含了权力压迫与殖民主义的遮蔽策略;借助柄谷行人的"颠倒"与"认识性装置",窥视出都市畸形现代化与城乡同质化倾向,进而从文化角度发掘施蛰存的风景话语隐含着与"新感觉派"的内在分野.
Abstract
Shi Zhecun's urban and rural narrative novels present a dual spatial perspective transformation.Through the eyes of the subject,numerous landscape writings break through traditional constraints and assume a new narrative function in modern texts.As an external representation of inner psychology,landscapes are always in close dialogue with"country people"and"city people.""Fog"and"spring sun"exert their metaphorical rhetorical effects,revealing the con-cealment strategies of power and colonialism behind the urban landscape.With the help of Yukito Karatani's concepts of"inversion"and"cognitive device,"we can observe the deformed modernization of the city and the homogenization tenden-cies between urban and rural areas.From a cultural perspective,this exploration uncovers the inherent differences be-tween Shi Zhecun's landscape discourse and the"New Sensationism."
关键词
施蛰存/城乡叙事/风景书写/空间Key words
Shi Zhecun/Urban and rural narrative/Landscape writing/Space引用本文复制引用
出版年
2024
NETL
NSTL
万方数据