文化记忆视角下王船山形象的建构与认同
The Construction and Identification of Wang Chuanshan's Image from the Perspective of Cultural Memory
杨旭明1
作者信息
- 1. 衡阳师范学院 文学院,湖南 衡阳 421002
- 折叠
摘要
文化记忆理论为历史人物形象生产与传播提供了阐释框架.通过对遗著、报刊、纪念场所等代表性媒介的分析,发现王船山形象是后人根据其自我形象和他者的媒介形象累积建构而成的公众形象,本质是一种集体想象,具有促进民心凝聚和族群认同的作用.媒介化生存的社会趋势下,王船山形象的建构与认同面临文本阐释难、公众参与低、媒介融合少等困境,要突破此困境,需要发展船山学,建立船山数据库,构建跨媒体平台,进一步推进船山形象的学理化、时代化.
Abstract
The theory of cultural memory provides an explanatory framework for the production and dissemination of historical charac-ter images.The article analyzes the content of representative media texts such as works,newspapers,and memorial sites,and finds that the image of Wang Chuanshan is a public image constructed by later generations based on the self-image of Wang Chuanshan and the media image of others.Essentially,it is a collective imagination that is conducive to the cohesion of people's hearts and ethnic identity.Under the social trend of media survival,the construction and identification of Wang Chuanshan's image face difficulties in text inter-pretation,low public participation,and limited media integration.It is necessary to innovate and develop Chuanshan studies,establish a Chuanshan database,and build a cross-media platform to further promote the academic and modernization of Chuanshan's image.
关键词
王船山形象/文化记忆/公众参与Key words
Wang chuanshan's image/cultural memory/public participation引用本文复制引用
基金项目
湖南省教育厅科学研究重点项目(19A061)
出版年
2024
NETL
NSTL
维普
万方数据