摘要
赋源于诗骚,从汉代散体大赋,到两晋南朝至唐宋,赋体经历了诗化、骈化、散文化的发展演变阶段.以赋为诗,以文为诗都是文体之间互动互融现象,班固在其《两都赋序》中有评"赋者,古诗之流也",《汉书·艺文志》有专门的"诗赋略",《文心雕龙》也有诠赋篇作专门论证,曹丕《典论·论文》"铭诔尚实,诗赋欲丽"的定位,可以说从赋诞生之日起,就与诗和文密切相关,诗赋同源早有定论.宋明以降,赋从诗化走向散文化,赋作与散文的关系更加密切,苏轼就是赋的诗化向赋的散文化转变的关键节点.他是"以赋为诗"的最后辉煌,苏轼以赋法之心,赋学之迹作诗.铺陈、用典、排律、夸饰,运用这些赋法入诗,在尊体之上有所破体,苏轼以赋为诗提升了诗体的表达领域,成为诗赋同源的又一佐证.
Abstract
From the Han dynasty to the Jin and Southern Dynasties to the Tang and Song dynasties,the style of Fu experienced the de-velopment and evolution of poetic,parallel,and prose culture.Taking Fu as a poem and writing as a poem is a phenomenon of interac-tion and fusion between styles,Ban Gu has commented"Fu is the flow of ancient poetry",Han Shu Yi Wen Zhi has a special"Poem Fu",and Wenxin Diao Long also has a special explanation of Fu,Cao Pi's Treatise on Classics can be said to have been closely relat-ed to poetry and writing since the birth of Fu,and it has long been concluded that poetry Fu has the same origin.Since the beginning of the Song and Ming dynasties,Fu has changed from poetic to prose culture,and the relationship between Fu and prose is closer.Su Shi is the key node of the transition from poetic to prose culture.He is the last glory of"taking Fu as poetry",Su Shi wrote poetry with the heart of Fu and the trace of Fu study.His use of Fu as poetry has enhanced the expression field of poetic style,which is called another proof of the homology of poetry and Fu.
NETL
NSTL
万方数据