摘要
《野草》中的动物谱系耐人寻味,其动物再现既有简单的背景功能与契合界定再现,同时又有相对繁复的辨析,而部分超出了"刻板印象".而在意义的营构上亦有其超克的辩证:鲁迅可以借助动物批判国民劣根性,同时又吊诡地批判兽性,而难能可贵的是,他又借助动物弘扬个性,与其"立人"思想吻合.不容忽略的是,鲁迅先生也借助动物谱系返观与解剖自我,同时也探寻人与物和谐并存的途径,实现了个人主义与人道主义的对话.
Abstract
The animal genealogy discourse in Wild Grass by Lu Xun deserves further exploration:in which the animal representation not only accords with its primary image,but also goes beyond stereotype and has complex discrimination.As for the meaning construe-tion,Lu Xun criticized National Characteristics via writing animals and meantime he also condemned animalism.It is commendable that he sticks to"creating human beings"through animal representation in which he made a dialogue between individualism and hu-manitarianism.
维普
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