虚实身份与空间:VR绘画的视觉表征研究
Virtual and Real Identity and Space:A Study of the Visual Representation of VR Painting
杨颖1
作者信息
- 1. 北京电影学院,北京 100091;辽宁师范大学,辽宁大连 116029
- 折叠
摘要
在VR绘画的创作语境之中,虚实空间与身体的"侵越"对VR绘画的创作、感知、体验方式以及视觉叙事的建构模式都进行了重建.这个过程既扩充了绘画创作的内涵与外延,又增强了主体与观者在虚拟空间中身体"审美"的体验与想象力的最大化呈现.论文结合国内外近十年来VR绘画艺术的实践案例,验证得出结论,旨归呈现VR绘画的视觉表征及内涵外延,这对于沉浸式绘画与沉浸式交互性的艺术感知与体验具有尤为不可或缺的价值.
Abstract
In the creative context of VR painting,the"invasion"of virtual and real space and body reconstructs the creative perception experience and the construction of visual narrative of VR painting This not only expands the connotation and extension of painting creation,but also enhances the maximum presentation of the body aesthetic"experience and imagination of the subject and the viewer in the virtual space.Combined with the practice cases of VR painting in the past ten years at home and abroad,this paper draws a conclusion that it aims to present the visual representation and connotation extension of VR painting,which is particularly indispensable for the artistic perception and experience of immersive painting and immersive interaction.
关键词
VR绘画/沉浸式交互/虚实身份/空间/视觉叙事Key words
VR painting/immersive interaction/virtual and real identity/space/visual narration引用本文复制引用
出版年
2024
NETL
NSTL
万方数据