17-19世纪华瓷西传后的设计延续与嬗变——以"垂柳纹"为例
The Design Continuation and Evolution of Chinese Porcelain after the Western Transmission from 17th to 19th Century:Taking"Willow Pattern as an Example
杨明 1汪清 1詹嘉2
作者信息
- 1. 浙江理工大学,浙江杭州 311199
- 2. 景德镇陶瓷大学,江西景德镇 333403
- 折叠
摘要
17-18世纪,中国情趣风靡西欧,尤以瓷器为盛,催生了西欧长达一个多世纪的崇华热潮.进入19世纪,"中国热"式微,但中国风设计在瓷器上仍存续,这些设计元素在瓷器纹饰中表现的尤为直观.以19世纪风靡西欧的"垂柳纹"为研究对象,在华瓷西传及华风西渐和西风东渐并存的时代背景下,通过图像形成的动因、中国元素的演化和图像的叙事生成几个方面来探究"垂柳纹"中所映射出的文化互融性,为当下中西文化交流与互鉴提供设计参考.
Abstract
In the 17th and 18th centuries,Chinese artifacts swept Western Europe,especially porcelain,which gave birth to the new patterns in West Europe for more than a century.In the 19th century,the Chinese fever waned,but the Chinese style design still survived in porcelain,and these design elements were particularly intuitive in the porcelain decoration.This paper takes Willow Pattern,which was popular in Western Europe in the 19th century,as the research object.Under the background of the time when Chinese porcelain spread to the west and Chinese style coexisted in the west and western style coexisted in the east,this paper explores the cultural intercommunion reflected in Willow Pattern from three aspects:the motivation of image formation,the evolution of Chinese elements and the narrative generation of images,so as to provide design references for the current cultural exchange and mutual learning between China and the West.
关键词
17-19世纪/华瓷/垂柳纹/中国风设计/文化交流Key words
17th-19th century/Chinese porcelain/Willow Pattern/Chinese style design/cultural exchange引用本文复制引用
基金项目
2023年浙江理工大学人才引进科研启动基金(23072222-Y)
浙江省丝绸与时尚文化研究中心(浙社科规[2017]31号)
出版年
2024
NETL
NSTL
万方数据