首页|中国原创音乐剧市场现状与发展研究——以《赵氏孤儿》为例

中国原创音乐剧市场现状与发展研究——以《赵氏孤儿》为例

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20世纪80年代,中国原创音乐剧自西方引入,在几代优秀音乐创作人的精心培育、努力探索和不断创新中,得到了广泛的发展。中国原创音乐剧正逐渐摆脱既往由政府独家主导融资与扶持的生产模式,向更加多样化的投资和制作途径转变。代表性的案例便是近年来制作的音乐剧《赵氏孤儿》,其创作与运营的模式提供了一个审视中国原创音乐剧市场现状和预测其未来展望的案例。本文通过分析《赵氏孤儿》转变与优化创作和运营的策略的各项实践,探讨中国原创音乐剧市场的现状以及发展。
On the Market Situation and Development of Chinese Musical:Taking The Orphan of Zhao as Example
In the 1980s,Chinese musical has achieved great development due to the meticulous cultivation,ac-tive exploration,and continuous innovation of generations of music creators since the musical was introduced from the west.Chinese musical has been moving away from the production mode dominated by the government's fi-nancing and support,and towards the one with diversified investment and production channels.A typical case of it is the musical The Orphan of Zhao produced in recent years.Its creation and operation model provides a win-dow for examining the current market situation of Chinese musical and making predictions on its prospect.This paper discusses the current market situation and development of Chinese musical by analyzing the strategies of transforming and optimizing the creation and operation of The Orphan of Zhao.

Chinese musicalsstatus quodevelopment

马进、朱慧子

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合肥幼儿师范高等专科学校,合肥 230013

安徽大学,合肥 230039

中国原创音乐剧 《赵氏孤儿》 现状 发展

2024

景德镇学院学报
景德镇高专

景德镇学院学报

影响因子:0.235
ISSN:1008-8458
年,卷(期):2024.39(4)