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共生联想下的《共栖》创作

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本文阐述了《共栖》的创作思路和创作理念,作品将自然环境中的部分现象以及造型的掌握进行结合,来体现出人与自然之间的关系以及动物之间的互利关系,通过共生现象存在于不同动植物之间.本论文对于这种现象进行分析,整个作品以白犀牛作为主体,使用了匣钵土这种敦实的材料,用泥条盘筑的方法来进行制作,整体外形都拟似山形,采用毛线这种纤维材料体现柔软与陶瓷的坚硬形成明显的对比,来体现要保护环境以及生物之间共栖的状态.
The Creation of"Co-habitation"under Symbiotic Associations
This paper describes the creative ideas and concepts of"Co-habitation",the work combines some phenomena in the natural environment and the mastery of modeling to reflect the relationship between man and nature and the mutual benefit of animals,through the symbiosis phenomenon exists among different plants and animals.This thesis analyzes this phenomenon,the whole work takes white rhinoceros as the main body,uses the sagger clay as the solid material,uses the clay bar to build the method to produce,the whole shape is simulated like the mountain,uses the wool as the fiber material to embody the softness and the hardness of ceramics to form the obvious contrast,to embody the need to protect the environment as well as the symbiotic state among the living creatures.

Ceramic ArtParasitismSymbiosisWhite Rhinoceros

武小越、邹乐、陆小泥

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景德镇陶瓷大学

陶瓷艺术 寄生 共栖关系 白犀牛

2024

景德镇陶瓷
江西省景德镇陶瓷研究所

景德镇陶瓷

影响因子:0.047
ISSN:1006-9545
年,卷(期):2024.52(3)