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集体记忆的唤醒——影像装置创作于燕窝村的实践

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集体记忆是在一定规模的社会群体所拥有的共同的记忆、知识、信息,这些共同的东西也将这些拥有它们的个体凝聚为一个整体.在乡村,村民内部共享信息成为主要的信息来源,其所构建的集体记忆也相对稳定.艺术介入乡村的过程中,挖掘目标乡村特色文化是不可或缺的手段,而村民的集体记忆就保留了一部分当地特色民俗文化,收集这一类的记忆并加以转化,既能推动艺术创作,也能起到延续民俗文化的作用.此外,影像装置作为一种相对复合的媒介表现,具有用多层次的感官刺激让作品的效果最大化的特点.笔者通过在燕窝村的信息采集,以及再现记忆中的场景事件,进而展开一系列的影像装置作品的创作.希望能够通过那些物质的、非物质的文献资料,引发观众对于乡村、故土的记忆.
The Awakening of Collective Memory——The Practice of Video Installation in Yanwo Village
Collective memory is the shared memories,knowledge,and information possessed by social groups of a certain size,and these common things also coalesce these individuals who possess them into a whole.In the countryside,information shared within villagers becomes the main source of information,and the collective memory constructed by them is relatively stable.In the process of art intervention in the countryside,it is indispensable to excavate the characteristic culture of the target villages,and the collective memory of the villagers retains a part of the local characteristic folk culture.Collecting this kind of memory and transforming it can not only promote art creation,but also play the role of continuing the folk culture.In addition,video installation,as a relatively complex medium of expression,has the characteristic of maximizing the effect of the work with multi-level sensory stimulation.Through the collection of information in Yanwo Village and the reproduction of memorized scenes and events,the author creates a series of video installations.It is hoped that through those material and non-material documents,the audience's memories of the countryside and the homeland can be triggered.

Video InstallationCollective MemoryArt Intervention

周彦勋、郑冬梅、曾现芳、潘曦

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景德镇陶瓷大学

影像装置 集体记忆 艺术介入

2024

景德镇陶瓷
江西省景德镇陶瓷研究所

景德镇陶瓷

影响因子:0.047
ISSN:1006-9545
年,卷(期):2024.52(3)