粤剧本位、数字景观与类型重塑——论电影《白蛇传·情》的取舍之道
Cantonese Opera Standard,Digital Landscape and Typology Reconstruction:On the Choice of the Movie Love in the Legend of the White Snake
苗雪原1
作者信息
- 1. 河南师范大学文学院,河南 新乡 453007
- 折叠
摘要
粤剧电影《白蛇传·情》在尊重粤剧本位的前提下完成电影叙事,以数字景观承载电影化处理手段,通过迎合现代观众的视听审美趣味,形成了一种传统戏曲与现代技术融合的创作模式,完成了对戏曲电影类型一次重塑,对戏曲电影未来在跨媒介融合中的多元探索与发展提供了丰富的借鉴意义.
Abstract
The Cantonese opera movie Love in the Legend of the White Snake completes the film narrative on the premise of respecting the standard of Cantonese opera,adopts the digital landscape to carry the cinematic processing means and forms a creative mode integrating traditional opera and modern technology by catering to the audiovisual aesthetic taste of modern audiences,completing a reshaping of the genre of traditional opera films,exploring and developing the multiple aspects of traditional opera films in the future in cross-media integration,and providing rich significance for reference.
关键词
粤剧/戏曲电影/《白蛇传·情》/重塑Key words
Cantonese opera/Opera movie/Love in the Legend of the White Snake/remodeling引用本文复制引用
出版年
2024
NETL
NSTL
万方数据