家具与室内装饰2016,Issue(9) :9-11.

勒·柯布西耶设计中符号学语义的批评与评价

Criticism and Evaluation of Le Corbusier Design Semiotic Semantics

方怡文 张乘风
家具与室内装饰2016,Issue(9) :9-11.

勒·柯布西耶设计中符号学语义的批评与评价

Criticism and Evaluation of Le Corbusier Design Semiotic Semantics

方怡文 1张乘风1
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作者信息

  • 1. 南京林业大学艺术设计学院,江苏南京 210037
  • 折叠

摘要

勒·柯布西耶的设计作品宛如建筑史长河中屹立不倒的里程碑,在时代的一次次回眸中依然保有它沉稳、静谧的姿态。他采用简洁的几何形式和理性的思维方式,为建筑赋予钢筋混凝土的外表,同时使建筑即符合他对于机械美学的审美崇尚,又能够为人们带来具有功能性的居住体验。设计中的符号是承载、表达设计师灵感与大众感受的表现形式,通过不同的语义传达,展现不同的设计意义。本文旨在分析勒·柯布西耶设计中的符号学语义,对他的建筑室内设计进行批评与评价,进而体会他的设计思想,并对室内设计有一个全新的认识。

Abstract

Le Corbusier design works like a river in architectural history survive milestone in a time of review era still retain its calm, quiet attitude. He uses simple geometric forms of thinking and reason, to give the building the appearance of reinforced concrete, while the building that is in keeping with his aesthetic advocating for mechanical aesthetics, but also able to bring functional living experience. Design symbols are carrying, express manifestation of inspiration for designers and mass feelings through different semantics to convey, to show different design sense. This article aims to analyze the Le Corbusier design semiotics semantics of his architectural interior design criticism and evaluation, thus realizing his design, interior design and a new understanding.

关键词

勒.柯布西耶/功能性/符号学语义/室内设计批评

Key words

Le Corbusier/Functional/Semiotic semantics/Interior design criticism

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出版年

2016
家具与室内装饰
中南林学院

家具与室内装饰

北大核心
ISSN:1006-8260
被引量11
参考文献量1
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