Embodiment·Image·Schema Decoding the Narrativity of Village Space in Song Yuan Landscape Paintings
This article aims to explore the subjective cognition and conceptual logic behind the imagery schema of village dwellings in Song and Yuan landscape paintings.By using the research method of image chronicles and from the theoretical perspective of embodied perception,this paper provides a graphical analysis of the village dwelling imagery in typical paintings of this period.Research has shown that the village living space in Song and Yuan landscape paintings is a composite space that blends subject and object.The generation of its imagery often undergoes a tangible interaction between the subject's"meaning"and the object's"image"and is characterized by four plotlines:"Jiangshan Scenic Area·Whole Area","Shenshan Temple·Piece Landscape","Qujing Garden Corner",and"Waterbank Empty Pavilion Point",which condense into schematic meanings under the care of different subjects.Decoding the narrative nature of village residential spaces in Song and Yuan landscape paintings provides useful reference and inspiration for the reshaping of the concept of creating Chinese-style village residential spaces at present.
Song Yuan landscape paintingVillage spaceEmbodied experienceSpace narrativeSchema implication
万方数据
