首页|儒家思想主导下的14至19世纪朝鲜半岛家具装饰纹样设计与应用研究

儒家思想主导下的14至19世纪朝鲜半岛家具装饰纹样设计与应用研究

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旨在探讨儒家思想对于14至19世纪朝鲜半岛家具装饰纹样设计与应用的主导性影响.文章首先梳理了儒家思想在朝鲜半岛的融入和发展路径,并以传统住宅建筑空间分布作为研究切入点,将不同的生活空间作为研究基本单元,运用图像学研究方法和实地考察法,以及查阅相关文献资料,梳理出了14至19世纪朝鲜半岛家具装饰纹样中与儒家思想相关联的装饰纹样.文章通过对于装饰纹样的提炼和溯源,进而总结出14至19世纪朝鲜半岛家具装饰纹样设计与应用受到了儒家思想中"三纲五常"和"仁"学中的孝(义)等思想的影响,纹样的设计采用了"比德说"与"比兴说"两种儒家思想中常用的艺术手法,最终确认儒家思想主导了14至19世纪朝鲜半岛家具装饰纹样的设计与应用.
Research on the Decorative Pattern Design and Application of Korean Peninsula Furniture in the 14th to 19th Centuries Under the Guidance of Confucianism
This paper aims to explore the dominant influence of Confucianism on the design and application of decorative furniture patterns in the Korean Peninsula from the 14th to the 19th centuries.By sorting out the integration and development of Confucianism in the Korean Peninsula and starting from the spatial distribution of traditional residential buildings on the Korean Peninsula,taking different Spaces as research units,this paper studies the design and application of furniture decorative patterns in the Korean Peninsula from 14th to 19th century through the use of image research methods and field investigation methods,and consulting relevant literature,it sorted out the decorative patterns associated with Confucianism,and analyzed that the design of decorative patterns in furniture was influenced by the thoughts of"the three cardinal guides and the five constant virtues"in Confucianism and filial piety(righteousness)in benevolence,and adopted the"Bede theory"and"Bishing theory"two commonly used artistic techniques in Confucianism,It is confirmed that Confucianism dominated the design and application of furniture decorative patterns on the Korean Peninsula from the 14th to the 19th centuries.

Confucianism14th-19th centuriesKorean peninsulaFurnitureDecorative patternDesign

肖洋、戚彬、娄轲

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山东理工大学美术学院,山东淄博 255000

儒家思想 14-19世纪 朝鲜半岛 家具 装饰纹样 设计

山东省艺术学科重点课题青年项目山东理工大学博士科研启动经费资助项目

L2021Q07080083

2024

家具与室内装饰
中南林学院

家具与室内装饰

北大核心
ISSN:1006-8260
年,卷(期):2024.31(3)
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