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室内设计中的"学院派""市场派"与"大众设计"

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研究探讨了自新中国成立以来室内设计领域设计主体的变迁,分析了"学院派""市场派"和"大众设计"在不同历史时期的角色和贡献.通过文献综述、案例研究、半结构化访谈和问卷调查,比较了各主体的能力、工作方式和实践效果,阐述了其内在逻辑和相互影响机制.研究旨在更好地理解学术研究与设计实践各自的角色和贡献,梳理中国室内设计理念的传承与创新逻辑,以及室内设计如何反映并引导社会需求.从"学院派"的理论奠基到"市场派"的商业主导,再到21世纪"大众设计"趋势的兴起,普通人越来越多地参与到室内设计中,推动了中国室内设计行业的多样化发展.
"Academism""Market-oriented"and"Public Participation"in Interior Design
This study explores the shifts in key actors within the field of interior design since the founding of the People's Republic of China,analyzing the roles and contributions of"Academism,""Market-oriented,"and"Public Participation"groups across different historical periods.Utilizing literature review,case studies,semi-structured interviews,and surveys,it compares the capabilities,working methods,and practical outcomes of these groups,revealing their internal logic and interrelations.The research aims to delineate the roles and contributions of academic research and design practice,clarify the inheritance and innovation of interior design concepts in China,and examine how interior design reflects and guides social demands.From the theoretical foundation laid by"Academism"to the commercial influence of"Market-oriented"practices and the rise of"Public Participation"in the 21st century,ordinary people are increasingly involved in interior design,fostering the industry's diversification in China.

Interior designAcademismMarket-orientedPublic participation

李豫冀、宋立民

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清华大学美术学院,北京海淀 100083

室内设计 学院派 市场派 大众设计

2024

家具与室内装饰
中南林学院

家具与室内装饰

北大核心
ISSN:1006-8260
年,卷(期):2024.31(11)