黄士陵篆刻边款品评语词及审美取向研究
On the Commentary and Aesthetic Orientation over the Side Inscriptions of Huang Shiling
池县委 1董存建2
作者信息
摘要
在中国篆刻史上,黄士陵作为"晚清四家"之一,不为时风所缚,出入秦汉,上溯三代,以其丰富的学养、深厚的功力和广博的见识构筑起极富个性的"黟山派"印学风格.黄氏整合不同流派及丰富的金石资料为己所用,批判地继承和吸收传统精华,强化创作主体的审美意识,不随人脚踵,胆敢独造,终营造出既古典又充满现代气息的艺术样式.对于印坛可谓继往开来,推陈出新.文章从其篆刻边款中梳理出"秀""瘦""光洁""古"四个品评语词,谨结合相关资料展开论述,试言明其印学的审美取向.
Abstract
In the history of seal cutting in China,Huang Shiling,as one of the"four masters in the late Qing Dynasty",was not bound by the wind of the times.Tracing back three generations to Qin and Han Dynasties,he built up a highly personalized"Yishan School"seal style with his rich learning,profound skills and broad insight.Huang integrated different schools and rich stone materials for his own use,critically inherited and absorbed the essence of tradition,strengthened the aesthetic consciousness of the creative subject,not following others'heels,daring to create alone,and finally creates both classical and modern artistic style.For the seal field,he can be said to carry on the past and bring forth the new.This article combs out the four words of"beautiful","thin","bright"and"ancient"from the edge of its seal cutting,and discusses the aesthetic orientation of Huang's engraving wis-dom based on relevant materials.
关键词
黄士陵/边款/品评语词/审美取向Key words
Huang Shiling/side inscription/commentary/aesthetic orientation引用本文复制引用
出版年
2024
NETL
NSTL
万方数据