首页|歌剧《沂蒙山》中"海棠"形象塑造与演唱技巧研究——以经典唱段《等着我,亲爱的人》为例

歌剧《沂蒙山》中"海棠"形象塑造与演唱技巧研究——以经典唱段《等着我,亲爱的人》为例

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歌剧《沂蒙山》是2018年"中国民族歌剧传承发展工程"重点扶持剧目,自登台演出以来,受到业内专家与社会各界人士的高度重视,其也被誉为中国民族歌剧史上又一部精品力作.《等着我,亲爱的人》以主题曲贯穿于全剧始终,饱含深情的词句,优美动听的旋律深受大众喜爱.本文从该唱段的创作背景出发,以海棠这一人物角色的塑造为主线,探究在歌剧中围绕《等着我,亲爱的人》这一唱段人物的舞台表演呈现与人物情感的刻画,对歌曲在演唱中的气息把控、吐字咬字以及节奏力度进行分析,以达到在实际演唱过程中对该作品有更好的诠释.
A Study of the Image Shaping of"Haitang"and Singing Skills in the Opera Yimeng Mountain—A Case Study of the Classic Canto"Wait for Me,My Dear"
The opera Yimeng Mountain is the key support drama of the Chinese National Opera Inheritance and Development Project in 2018.Since its performance,it has been highly valued by experts in the field and peo-ple from all walks of life,and it is also known as another masterpiece in the history of Chinese national opera."Wait for Me,My Dear"with the theme song throughout the whole play,full of affectionate words,beautiful mel-ody loved by the public.Starting from the creation background of the song,this paper takes the shaping of the character Haitang as the main line,explores the stage performance presentation of the character in the song"Wait for Me,My Dear"and the portrayal of the character's emotions in the opera,and analyzes the breath control,enunciation and rhythmic strength of the song in the singing process,so as to achieve a better interpretation of the work in the actual singing process.

Haitangimage shaping"Wait for Me,My Dear"singing skills

贾睿佳、孟宇菲

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长春大学音乐学院

海棠 形象塑造 《等着我,亲爱的人》 演唱技巧

2024

吉林省教育学院学报

吉林省教育学院学报

ISSN:1671-1580
年,卷(期):2024.40(8)
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