The red music of the Central Soviet Area period(1927-1934),generated in the historical field of social change,was the revolutionary music with political attributes and class struggle connotations.At the intersection of macro history and the times,the literary and artistic thoughts under the guidance of Marxist literary and artistic theories collided and blended with folk literature and art and foreign art.The folk music was projected into reality in the revolutionary struggle,transforming its nature and function into a typical example of cultural reproduction.Its essence is the intertwining of revolutionary traditions and historical logic,as well as the mutual agreement between cultural traditions and political logic.The red music transformed from the local folk art in Fujian,Guangdong and Jiangxi provinces played a powerful role in the struggle and wartime.It was a great practice in the development of ideological and cultural thought in modern Chinese society,as well as a preview of the"na-tional presence".At the same time,it became a historical coordinate and academic source of revolutionary music culture with Chinese characteristics.
Central Soviet Areared music culturefield of struggle
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