Du Lan,a post-90s female writer in Inner Mongolia,recorded the changes of grassland with short stories full of absurdity.The construction of her novels cannot be separated from the superficial narration of the barren homeland and eco-logical crisis and the overlapping images of"death".Such a fragmented and absurd narrative makes Inner Mongolia's novels not only have local characteristics,but also have aesthetic progress.It breaks through the barriers of classical realistic narra-tive,which can't be defined and has no rules to find,but it shows us another possibility from a different perspective—preco-cious modernity and delayed nomadic civilization,which can inspire each other endlessly,intertwine together and go further.
关键词
渡澜/死亡意识/荒诞/草原书写/傻子乌尼戈消失了/谎言之春
Key words
Du Lan/death consciousness/absurdity/grassland writing/Fool Unigo Disappeared/Spring of Lies
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