首页|莫里斯符号学视角下黔东南苗族服饰蝴蝶纹样研究

莫里斯符号学视角下黔东南苗族服饰蝴蝶纹样研究

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苗族的图腾崇拜历史悠久,其中,蝴蝶纹样是苗族独有且具有象征意义的符号.蝴蝶纹样作为黔东南苗族文化中的重要组成部分,体现了苗族人民的美学观念和民族崇拜.文章将从莫里斯符号学三分法出发,将黔东南苗族蝴蝶纹样划分为3个基本维度进行分析,即语构、语义和语用.通过分析黔东南苗族蝴蝶纹样,可以更好地理解苗族这一独特的民族文化符号,推动黔东南蝴蝶纹样的创新发展.
Study on the butterfly pattern of Miao costume in southeast Guizhou from the perspective of Morris semiotics
The totem worship of the Miao Nationality has a long history,among which the butterfly pattern is a unique and symbolic symbol of the Miao Nationality.As an important part of the Miao culture in southeast Guizhou,the butterfly pattern embodies the Miao people's aesthetic concept and national worship.Based on Morris semiotics trichotomism,this paper divides the butterfly pattern of southeast Guizhou Miao Nationality into three basic dimensions,namely,structure,semantics and pragmatics.By analyzing the butterfly pattern of the Miao Nationality in southeast Guizhou,we can better understand the unique national cultural symbol of the Miao Nationality and promote the innovative development of the butterfly pattern in southeast Guizhou.

Morris semioticsMiao butterfly patternscultural implication

史嘉宁、李莉

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长沙理工大学 设计艺术学院,湖南 长沙 410114

莫里斯符号学 苗族蝴蝶纹样 文化寓意

2024

纺织报告
江苏苏豪传媒有限公司,江苏省纺织工业协会

纺织报告

影响因子:0.059
ISSN:1005-6289
年,卷(期):2024.43(11)