江南水乡想象与地域人物书写——论余华九十年代长篇小说
Imagining of Jiangnan Watertown and Local Characters'Writing——Rereading Yu Hua's Novels in the 1990s
程亚楠1
作者信息
- 1. 嘉兴南湖学院 人文与艺术学院,浙江 嘉兴 314001
- 折叠
摘要
余华在九十年代持续推出了三部长篇小说《在细雨中呼喊》《活着》《许三观卖血记》,故事建构在江南水乡的空间场域,河流、池塘、细雨等意象参与了人物的情感体验和生命历程.余华在小说中颠覆了传统意义上的家庭亲情伦理,他笔下的人物失去了父母的护佑和兄弟的关爱,但他们却在家庭之外寻到了生命的温情,并在成长的苦难中坚守"爱".欲望是生命的主体性象征,余华通过书写人物的旺盛食欲和蓬勃性欲,彰显了小人物在面对时代和命运的压迫时对生命的执着.
Abstract
In the 1990s,Yu Hua continued to publish three novels,Cries In The Drizzle,To Live and Chronicle of a Blood Merchant.The stories are constructed in the spatial field of Jiangnan water towns,and the images of rivers,ponds and drizzling rain participate in the emotional experience and life span of the characters.Yu Hua subverts the traditional family ethics in his novels.His characters have lost the protection of their parents and the love of their brothers,but they find the warmth of life outside the family and stick to"love"in the suf-fering of growth.Desire is the symbol of the subjectivity of life.By writing about the strong appetite and vigorous sexual desire of the characters,Yu Hua shows the persistence of the small people in the face of the oppression of the time and fate.
关键词
余华/长篇小说/生存场域/亲情伦理/主体象征Key words
Yu Hua/novel/survival field/family ethics/subject symbol引用本文复制引用
基金项目
浙江省教育厅省级课程思政项目(2022)(浙教函[2022]51号)
嘉兴南湖学院校级科研项目(2023)(62301YW)
出版年
2024
NETL
NSTL
万方数据