园·缘·源——《红楼梦》大观园的园林文化象征
Garden·Fate·Origin——The Cultural Symbols of the Grand View Garden in A Dream of Red Mansions
孙亚茹 1张楠1
作者信息
- 1. 齐齐哈尔大学 文学与历史文化学院,黑龙江 齐齐哈尔 161006
- 折叠
摘要
《红楼梦》中的大观园作为世家园林,不仅是承载红楼故事的叙事空间,也暗藏了当朝文人的审美情趣和对生活品质的追求.大观园中景观元素的隐喻通过人格化、具象化的表达方式,向读者传达出更深层次的意义和感受.曹公笔下的大观园代表着乐园和人间的对立,体现了作者对于现实世界的批判及关于人性的思考.大观园的园林文化象征揭示出大观园作为皇家行宫和世家花园双重属性的空间定位,并体现出中国明清文人园林的审美理念.
Abstract
The Grand View Garden in A Dream of Red Mansions serves not only as a narrative space for the story,but also embodies the aesthetic taste and pursuit of life quality of literati in the dynasty.Through personal-ized and concrete expressions,the metaphors of landscape elements in the garden convey deeper meanings and e-motions to readers.Cao Xueqin's depiction of the Grand View Garden represents the dichotomy between paradise and reality,reflecting his criticism of society and contemplation on human nature.The cultural symbols embed-ded within this royal residence and family garden reveal its spatial positioning while reflecting the aesthetic con-cepts prevalent in Ming and Qing dynasties'literati gardens.
关键词
大观园/景观文化/象征意义/隐喻/文人园林Key words
the Grand View Garden/landscape culture/symbolic meaning/metaphor/literati garden引用本文复制引用
基金项目
齐齐哈尔大学学位与研究生教育教学改革项目(2023-2024)(QUZLTS_JG2023011)
黑龙江省省属高校基本科研业务费科研创新平台项目(145109345)
出版年
2024