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从符号学视野看电影《情定三清山》

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从符号学视野来看,电影《情定三清山》通过三清山中的人和事赋予了三清山多重意义,成功建构了三清山文化符号。具体来说,该片以蒙太奇镜头组合使三清山具有了生命意义,在重复叙事中强化了三清山的情感意义,又以人物的自我超越映照出了三清山的人格意义。通过三重意义的携带,作为自然存在的三清山演变成了特定的生命、情感和人格符号。由此,该片对三清山文化符号和江西文化符号的发展与传播发挥了重要的作用。
A Semiotic Perspective on the Film Love in Mount Sanqing
From a semiotic perspective,the film Love in Mount Sanqing assigns multiple meanings to Mount Sanqing through its depiction of people and events,successfully constructing Mount Sanqing as a cultural symbol.Specifically,the film employs montage techniques to imbue Mount Sanqing with a sense of life,reinforces its emotional significance through repetitive narratives,and reflects its personified qualities through the characters'journeys of self-transcendence.By integra-ting these three layers of meaning,Mount Sanqing evolves from a natural entity into a symbol of life,emotion,and personali-ty.Consequently,the film plays a significant role in the development and dissemination of Mount Sanqing as a cultural sym-bol,as well as Jiangxi's broader cultural identity.

semioticsfilmLove in Mount SanqingMount Sanqing

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南昌师范学院文学与历史学院,江西 南昌 330032

符号学 电影 《情定三清山》 三清山

2024

南昌师范学院学报
江西教育学院

南昌师范学院学报

CHSSCD
影响因子:0.308
ISSN:1005-3638
年,卷(期):2024.45(6)