This article draws on the speculation on the philosophical proposition"I think,therefore I am"from Des-cartes,Kant to Merleau-Ponty,to parallelly examine Yung Ho Chang's intellectual trajectory developed in the thirty years of practice of FeiChangJianZhu.Making eyes,hands,and mind,heart,and soul as the starting point for spatial analysis,it borrows Merleau-Ponty's concept of embodiment to understand Yung Ho Chang's design approaches in the past ten years,and develops an architectural criticism that interprets design works by analyzing the author.
关键词
张永和/非常建筑/梅洛-庞蒂/具身性/我思故我在
Key words
Yung Ho Chang/Atelier FeiChangJianZhu/Merleau-Ponty/Embodiment/I think and therefore I am
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