I Think and Therefore I am:In the Third Decade of Atelier FeiChangJianZhu
This article draws on the speculation on the philosophical proposition"I think,therefore I am"from Des-cartes,Kant to Merleau-Ponty,to parallelly examine Yung Ho Chang's intellectual trajectory developed in the thirty years of practice of FeiChangJianZhu.Making eyes,hands,and mind,heart,and soul as the starting point for spatial analysis,it borrows Merleau-Ponty's concept of embodiment to understand Yung Ho Chang's design approaches in the past ten years,and develops an architectural criticism that interprets design works by analyzing the author.
Yung Ho ChangAtelier FeiChangJianZhuMerleau-PontyEmbodimentI think and therefore I am
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