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中华民族共同体视域下闽南打城戏的复兴

The Heritage Revival of the Southern Fujian Dacheng Opera from the Perspective of the Chinese Nation Community

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打城戏是福建地区特有的地方剧种,不仅蕴含丰富的闽南文化元素,而且兼具佛、道教打城仪式的超度功能.回归传统是打城戏存续的重要方式,实现打城戏的文化再造是活络打城戏再生网络的关键.母语的再起、原生主体的召唤、现代性的民间表述、宗教仪式与社会功能的互动联结,均呈现出遗产主体繁荣永续的发展力量.
The city-beating opera is a unique local opera in Fujian.It not only contains rich cultural elements in southern Fujian,but also has the super function of Buddhist and Taoist city-beating ceremonies.Returning to tradition is an important way for Dacheng opera to survive,and realizing the cultural reconstruction of Dacheng opera is the key to revitalizing the regeneration network of Dacheng opera.The revival of the mother tongue,the call of the original subject,the modern folk expression,the interactive connection between religious rituals and social functions can all present the sustainable power of the prosperity and development of the subject of the heritage.

Dacheng operaHeritage revivalChinese nation communityOriginal subjectTraditional cultural system

王荟、李宝佳

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集美大学音乐学院,福建厦门 361021

澳门城市大学艺术教育研究所,澳门 999078

打城戏 遗产复兴 中华民族共同体 原生主体 传统文化体系

2024

晋中学院学报
晋中学院

晋中学院学报

影响因子:0.186
ISSN:1673-1808
年,卷(期):2024.41(2)