摘要
分析1970-1980年代的园林景观建筑作品北京动物园雉鸡苑的布局、游览空间、后勤空间、视觉要素和材料构造,探讨建筑师在处理场地与建筑、动物的生存环境与人的观看环境、管理者与使用者、公共性与漫游感、传统建造工艺与园林空间意境之间的关系时表现出的高超技巧,从而反映出改革开放前的一批建筑师开始有意识地融合传统园林的"无尽意"与现代流动空间的建筑语言,是不可多得的园林景观建筑早期样本.
Abstract
This paper analyzes the layout,tourism space,logistics space,visual elements and material construction of the Pheasant Garden of Beijing Zoo,a landscape building in China of the 1970s and 1980s.Explores the designers'superb skills in dealing with the relationships between the site and architecture,animal living and human viewing,managers and users,publicity and roaming sense,traditional construction techniques and garden spatial imagery.On this basis,it demonstrates that a group of architects trained before the reform and opening-up policies began to consciously integrate the"endless intent"of traditional gardens with the architectural language of modernist flowing spaces as a rare early example of garden landscape architecture in the reform era.
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