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再现的东方传统——MoMA"花园之家"系列展览中的日本展示住宅

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将1954年的MoMA日本展示住宅置于"花园之家"系列展览中进行分析,指出其主办方及赞助者对社会问题的关注以及外交需求.通过对比日本展示住宅的传统原型及其在现代语境中的"再现",揭示其所体现的日本传统建筑与西方现代建筑之间的异同.在跨文化的视野下,探讨这一"东学西渐"典型案例中东西双方的作用及立场,以及其中的设计价值与历史意义.
The Oriental Tradition RepresentedJapanese Exhibition House of"House in the Garden"Series in the Museum of Modern Art
This paper analyzes the 1954 MoMA Japanese Exhibition House as a whole within the House in the Garden series,pointing out the social concerns and diplomatic demands of the organizer and sponsors behind it.Through a comparative study of the traditional archetype of the Japanese Exhibition House and its"representation"in the modern context,it reveals the similarities and differences between traditional Japanese architecture and modern Western architecture.From a cross-cultural perspective,it explores the roles and positions of East and West in this typical case of oriental influence,as well as the design value and historical significance of this project.

Japanese Exhibition HouseHouse in the Gardenoriental traditionmodernismJunzo YoshimuraShoin-zukuricross-culture

尹峥、杨涛

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湖南大学建筑与规划学院(长沙,410082)

日本展示住宅 花园之家 东方传统 现代主义 吉村顺三 书院造 跨文化

2024

建筑学报
中国建筑学会

建筑学报

CSTPCDCSSCI北大核心
影响因子:0.976
ISSN:0529-1399
年,卷(期):2024.(12)