首页|集体无意识影响下的哈尼族聚落与家屋空间原型——基于迁徙史诗《哈尼阿培聪坡坡》的分析

集体无意识影响下的哈尼族聚落与家屋空间原型——基于迁徙史诗《哈尼阿培聪坡坡》的分析

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哈尼族的集体无意识观念主要体现于古歌与民谣中,具有典型的民族文化特色.文章以介绍哈尼族迁徙历史的古歌——《哈尼阿培聪坡坡》为研究文本,结合实地调研,以人类学视角对云南省红河哈尼族彝族自治州元阳县哈尼族的集体无意识进行溯源,指出哈尼族在族群迁徙和家园化过程中,形成了"圣-俗""男-女"和"生-死"三组意识结构;并进一步从空间布局、室内陈设、仪式活动层面,分析意识结构与聚落和家屋空间原型的关系.文章认为,哈尼族的集体无意识是人、自然、神灵与建成环境的有机结合,意识结构是空间原型得以产生与延续的基础.哈尼族的聚落与家屋在空间原型的作用下获得了自然性、精神性、秩序性与防御性的感知体验.
Spatial Archetypes of Hani Settlements and Houses under the Influence of Collective Unconsciousness:An Analysis of the Migration Epic,Hani Apei Congpopo
The collective unconsciousness of the Hani people,an ethnic group in southern China,is primarily documented in ancient epics and folk songs,showcasing distinct ethnic and cultural char-acteristics.This article analyses the text of the Hani apei congpopo,an epic that narrates the migration history of the Hani people,and conducts field re-search from an anthropological perspective to trace the origins of collective unconsciousness of the Hani people in Yuanyang County,southern Yunnan Province.The analysis suggests that throughout the process of ethnic migration and settlement establishment of the Hani people,three types of consciousness structures have emerged:'sanctity-secularity','male-female',and'life-death'.The article further examines how these consciousness structures relate to the spatial archetypes of plan layout,interior decorations,and ritual activities.The article argues that the Hani people's collective unconsciousness represents an organic integration between human,nature,deities,and the built envi-ronment,and the consciousness structures serve as a foundation for spatial archetypes.Under the in-fluence of spatial archetypes,Hani settlements and houses have embodied perceptual experiences of naturality,spirituality,order,and defence.

collective unconsciousnessHani settle-mentshousesspatial archetypesmigrationHani apei congpopo

黄浦蓉、叶涧枫、王冬

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昆明理工大学建筑与城市规划学院(昆明650500)

集体无意识 哈尼族聚落 家屋 空间原型 迁徙 《哈尼阿培聪坡坡》

2024

建筑遗产
中国科技出版传媒股份有限公司,同济大学

建筑遗产

ISSN:1004-9217
年,卷(期):2024.(2)