On the Subject of Modern Traditional-Style Poets from the Perspective of"Residues"——A Case Study of Yu Dafu
Since the new century,the practice of rewriting literary history has refocused on the specific works of specific writers,and a type of"residue"under the discourse system of modern literary enlightenment represented by Yu Dafu's traditional-style poetry has entered the academic vision.As an ancient national art form,re-examining the survival situation of traditional style poetry in the development of modern literature is closely related to the complete presentation of modern literature.From a phenomenological perspective,the restoration of literary landscape in a certain period is often a representation of humanistic trends,that is,rooted in the understanding of"human".Therefore,the study of modern traditional poetry should start from the perspective of the author's main body.For the further study of Yu Dafu's traditional style poetry,the language of the traditional-style poetry should be regarded as a prior existence in the first place,and the influence of Yu Dafu's subject development should be examined.Then,by returning to the scene of subject selection in history,the status of Yu Dafu's traditional-style poetry can be rejudged.This approach not only expands the observation and exploration space of the traditional-style poetry in the 20th century,but also provides new thinking and inspiration for the writing of modern Chinese literary history.