首页|穿越百年的三代"子君"——从《伤逝》到《我的前半生》及其影视改编

穿越百年的三代"子君"——从《伤逝》到《我的前半生》及其影视改编

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作为独立女性符号代表的"子君",百年来经历了鲁迅《伤逝》的初步塑造,亦舒《我的前半生》和同名影视改编的两次重塑。"子君"行走在 20 世纪 20 年代的北京、80 年代的香港以及 21 世纪的上海,构建起三代女性在面临婚姻变故时的选择、出路与归宿,为我们考察三个不同时期的独立女性生存现状提供了范本。从经济、社会及文化三个维度对"伤逝子君""亦舒子君"与"影视子君"进行对比研究,挖掘"子君"这一形象背后的独立女性出走之路,能够对当下独立女性出路的探寻提供现实思路,以期将文本的书写转换成对现实问题的解答。
A Journey Through a Hundred Years of Three Generations of"Zijun"——From Regret for the Past to The First Half of My Life and Its Film and Television Adaptation
As a symbol of independent women,"Zijun"has gone through the initial molding of Lu Xun's Regret for the Past and the two characterizations of Yishu's The First Half of My Life and its television adaptation of the same name over the past century.Walking in Beijing in the 1920s,Hong Kong in the 1980s,and Shanghai in the 21st century,"Zijun"builds up the choices,paths and destinations of three female generations when they face marital changes,and provides us a model for examining the independent women's living situations in three different periods of time.The contrastive study among"Regret Zijun""Yi Shu Zijun"and"Television Zijun"from dimensions of economy,society and culture explores the independent women's way out behind the image of"Zijun",which will provide a realistic idea for the current independent women and in the end convert the text writing into answers to the questions of reality.

ZijunRegret for the PastThe First Half of My Lifemovie and television adaptation

李宏悦

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黑龙江大学 文学院,黑龙江 哈尔滨 150080

子君 《伤逝》 《我的前半生》 影视改编

2024

开封文化艺术职业学院学报

开封文化艺术职业学院学报

ISSN:
年,卷(期):2024.44(3)
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