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高昌石窟遗迹与"高昌样式"

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石窟样式的特征主要表现在空间营造理念、造像技法和营建技术三个方面.高昌石窟遗迹可分为三期,分析其塔庙窟、佛殿窟、僧坊窟等洞窟的特征,可知高昌石窟将凉州造像的内容与河西、龟兹及高昌本土的洞窟形制重组配设,融合了凉州以及龟兹地区的造像技法,形成了反映高昌佛教流变的"高昌样式".
Grotto remains of the Gaochang region can be divided into three phases:the first phase corresponds to the Gaochang Commandery and Gaochang Kingdom periods,while the second and third phases are associated with the Gaochang Kingdom ruled by the Qu clan.By analyzing characteristics of the major types of grottos such as pagoda temples,Buddha halls,and monk caves in terms of space-making,sculptural techniques,and cave construction technologies,this study demonstrates that the Gaochang grottoes recombined characteristics of Liangzhou sculpture with grotto forms local to the Hexi,Kucha,and Gaochang region,along with integration of Liangzhou sculptural techniques from the Liangzhou and Kucha regions.This eventually formed a regional cave construction standard known as the"Gaochang style",reflecting the evolution of Buddhism in the Gaochang region.

GaochangGrotto styleSpace-making conceptStatue characteristicsGrotto construction technology

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北京市,100101,中国社会科学院考古研究所

高昌 石窟样式 空间营造理念 造像特征 石窟营建技术

国家社会科学基金

18CKG017

2024

考古
中国社会科学院考古研究所

考古

CSTPCDCSSCICHSSCD北大核心
影响因子:0.687
ISSN:0453-2899
年,卷(期):2024.(1)
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