论"三言"、"二拍"中主题物的书写
On the Writing of Subject Matter in"San Yan"and"Er Pai"
向乾侠1
作者信息
- 1. 广西师范大学,广西 桂林 541006
- 折叠
摘要
主题物是叙事文学中具有功能性作用的器物.在"三言"、"二拍"无奇之所以为奇的叙事构造中,主题物扮演了重要角色.主题物是小说家借以统摄全书思想主旨,生发故事,控制叙事节奏,关涉时风的重要工具."三言"、"二拍"的作者通过提炼日常生活中的物品,使之与小说人物、情节、主题等叙事结构紧密结合,进而反映明中叶社会风气.
Abstract
Thematic symbol is a functional object in narrative literature.In the narrative structure of"San Yan"and"Er Pai",the thematic symbol plays an important role.Thematic symbol is an important tool for novelists to control the main idea of the book,to generate stories,to control narrative rhythm and relate to the current trend.The authors of"San Yan"and"Er Pai"refined the objects in daily life,and made them closely combined with the narrative structure of the characters,plots,themes,etc,so as to reflect the social atmosphere of the Ming Dynasty.
关键词
三言/二拍/主题物/明中叶/时风Key words
San Yan/Er Pai/thematic symbol/mid Ming Dynasty/prevailing wind引用本文复制引用
出版年
2024
NETL
NSTL
万方数据