首页|从逃避现实到吟咏民俗——田园诗的缘起与流变

从逃避现实到吟咏民俗——田园诗的缘起与流变

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田园诗是中国古典诗歌的重要类别,东晋陶渊明的田园诗寄予了遁世思想,对田间劳动的描写比较"粗线条";唐朝王维、孟浩然将田园诗推向高峰,从写意式的描写过渡到细线条的描绘;宋代范成大是田园诗的集大成者,他关心民生疾苦,并初涉民间风俗;清朝袁学澜则通过田园描写深入民间风俗,吟咏吴地民情,描绘节令时序。他们一脉相承又各有侧重,提升了田园诗的文学地位。
From Escaping Reality to Praising FolkloreThe Origin and Evolution of Pastoral Poetry
Idyllic poetry is an important category of Chinese classical poetry.Tao Yuan-ming's pastoral poems in the Eastern Jin Dy-nasty were based on the idea of recluse,and the description of field labor was relatively"broad line".In the Tang Dynasty,Wang Wei and Meng Hao-ran pushed idyllic poetry to its peak,from the freehand description to the depiction of fine lines;Fan Cheng-da in Song Dynasty was a master of idyllic poetry.He was concerned about people's livelihood and began to touch folk customs.The Qing Dynasty Yuan Xue-lan through the pastoral description in-depth folk customs,intoning Wu people's feelings,describing the seasons.They came from the same lineage and had their own emphasis,which promoted the literary status of idyllic poetry.

idyllic poetrywithdraw from the worldpeople's livelihoodfolk custom

刘腾腾、王家伦

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江苏联合职业技术学院苏州工业园区分院,江苏 苏州 215123

苏州大学,江苏 苏州 215123

田园诗 遁世 民生 民俗

2024

齐齐哈尔师范高等专科学校学报
齐齐哈尔师范高等专科学校

齐齐哈尔师范高等专科学校学报

影响因子:0.211
ISSN:1009-3958
年,卷(期):2024.(6)