从逃避现实到吟咏民俗——田园诗的缘起与流变
From Escaping Reality to Praising FolkloreThe Origin and Evolution of Pastoral Poetry
刘腾腾 1王家伦2
作者信息
- 1. 江苏联合职业技术学院苏州工业园区分院,江苏 苏州 215123
- 2. 苏州大学,江苏 苏州 215123
- 折叠
摘要
田园诗是中国古典诗歌的重要类别,东晋陶渊明的田园诗寄予了遁世思想,对田间劳动的描写比较"粗线条";唐朝王维、孟浩然将田园诗推向高峰,从写意式的描写过渡到细线条的描绘;宋代范成大是田园诗的集大成者,他关心民生疾苦,并初涉民间风俗;清朝袁学澜则通过田园描写深入民间风俗,吟咏吴地民情,描绘节令时序.他们一脉相承又各有侧重,提升了田园诗的文学地位.
Abstract
Idyllic poetry is an important category of Chinese classical poetry.Tao Yuan-ming's pastoral poems in the Eastern Jin Dy-nasty were based on the idea of recluse,and the description of field labor was relatively"broad line".In the Tang Dynasty,Wang Wei and Meng Hao-ran pushed idyllic poetry to its peak,from the freehand description to the depiction of fine lines;Fan Cheng-da in Song Dynasty was a master of idyllic poetry.He was concerned about people's livelihood and began to touch folk customs.The Qing Dynasty Yuan Xue-lan through the pastoral description in-depth folk customs,intoning Wu people's feelings,describing the seasons.They came from the same lineage and had their own emphasis,which promoted the literary status of idyllic poetry.
关键词
田园诗/遁世/民生/民俗Key words
idyllic poetry/withdraw from the world/people's livelihood/folk custom引用本文复制引用
出版年
2024
NETL
NSTL
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