首页|明清时期《琵琶记》评点特征及其理论聚焦

明清时期《琵琶记》评点特征及其理论聚焦

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刊刻于明清时期的《琵琶记》剧本绝大多数为评点本.除了文化普及,评点本《琵琶记》还呈现出文献性、评比性、对话性与宣传性等特征.《琵琶记》的曲学建构主要集中于剧本创作论和舞台表演艺术论两个层面,其中,表演艺术论不仅弥补了其他曲学著作的不足,而且对当时以及现在的戏曲表演而言,仍具有较强的理论指导性和实践操作性.
The Characteristics of the Commentary and Theoretical Focus of The Tale of the Lute in Ming and Qing Dynasties
Most of the scripts of The Tale of the Lute published in the Ming and Qing dynasties are commentaries.In addition to the popularization of culture,the critique of the The Tale of the Lute also presents the characteristics of document,comparison,dialogue and propaganda.The construction of the music theory of The Tale of the Lute mainly focuses on two levels:the theory of script creation and the theory of stage performing art.Among them,the theory of performance art not only makes up for the shortcomings of other music works,but also has great theoretical guidance and practical operability for the performance of traditional Chinese opera at that time and now.

The Tale of the Lutepunctuate and annotatecultural popularizationtheory of operas

王良成

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杭州市艺术创作研究中心,浙江杭州 310005

琵琶记 评点特征 文化普及 戏曲理论

浙江文化研究工程重大课题(第二期)

18WH30041ZD

2024

聊城大学学报(社会科学版)
聊城大学

聊城大学学报(社会科学版)

影响因子:0.167
ISSN:1672-1217
年,卷(期):2024.(2)
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