首页|从感物美学的角度重审"诗可以怨"观念

从感物美学的角度重审"诗可以怨"观念

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自从钱钟书先生的论文《诗可以怨》发表后,"诗可以怨"一直被看作是文学创作的主要动机.从感物美学角度,创作动机可以划分为自然风物触发与社会历史现实触发两种基本类型.研究发现,无论因何而触发,文学创作动机都不仅包括"诗可以怨",而且还包括"诗可以乐".由此可见,文论界普遍认同的"诗可以怨"是文学创作的主要动机这一观念其实是不全面的和有局限性的,文学创作的动机实际上是"多元情感并举"的.
Re-examining the Concept of "Poetry-Can-Express-Grievances" from the Perspective of Chinese Sensuous Aesthetics
Since the publication of Mr.Qian Zhongshu's essay"Poetry-Can-Express-Grievances",this theory has been regarded as the main motivation for literary creation.From the perspective of sensuous aesthetics,creative motivations can be divided into two basic types:natural scenery triggered and social-historical reality triggered.The study has found that the above mentioned two motivations include not only"Poetry-Can-Express-Grievances"theory but also multiple creative motivations such as"Being Enjoyable for Poetry".Therefore,it can be concluded that the theory of"Poetry-Can-Express-Grievances"as the main motivation of literary creation,which is generally recognized by the literary circles,is actually incomplete and limited.

Poetry-Can-Express-Grievancessensuous aestheticsmulti-emotionmotivation for creation

沈晓华、杜吉刚

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南昌理工学院 外国语学院,江西 南昌 330044

南昌大学 人文学院,江西 南昌 330036

诗可以怨 感物美学 多元情感并举 创作动机

江西省高校人文社会科学研究规划基金江西省2022年度青年马克思主义者理论研究创新工程

WGW2010422QM66

2024

廊坊师范学院学报(社会科学版)
廊坊师范学院

廊坊师范学院学报(社会科学版)

影响因子:0.167
ISSN:1674-3210
年,卷(期):2024.40(1)
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