首页|流亡中的形式实验与生命之思——论米兰·昆德拉后期作品的"晚期风格"

流亡中的形式实验与生命之思——论米兰·昆德拉后期作品的"晚期风格"

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自捷克流亡到法国后,米兰·昆德拉创作的小说开始发生变化.他在法国时期创作的小说较捷克时期更加晦涩难懂,表现出强烈的批判性和否定性,这种变化体现了爱德华·W.萨义德所论述的"晚期风格".导致昆德拉作品发生改变的原因不仅是他生存国度和生活环境的变化,更重要的是他在生命后期不得不直面死亡,这使他思考的命题开始向内转.从昆德拉的作品看,这种变化主要表现在其文本的形式和内容上.一方面,昆德拉采用了作者介入和关键词写作的形式实验,用小说形式的创新引领现代派小说的发展;另一方面,他在作品中开始探讨遗忘和回归的生命主题,用书写对抗原本不可抗拒的遗忘,用永恒的流亡拒绝回归,将自己彻底地放逐在了小说艺术的道路上.
Formal Experimentation and Life Thoughts in Exile:on the"Late Style"of Milan Kundera's Late Works
Milan Kundera's novels began to change after his exile from Czechoslovakia to France.Showing a strong critical and negative characteristic,the novels he created in France were more obscure and more difficult to understand than those of the Czech-oslovakian period,and this change reflected what Edward W.Said called the"late style".The reason for the change of Kundera's works is not only the change of the country and environment he was in,but also the fact that he had to face death directly in the late stage of his life,which made the proposition of his thinking start to turn inward.In terms of Kundera's works,this change is mainly manifested in the form and content of his texts.On the one hand,Kundera adopted the form experiments of author intervention and keywords writing,and led the development of modernist novels with the innovation of novel forms.On the other hand,he began to explore the life theme of forgetting and returning in his works,using writing to fight against the originally irresistible forgetting,refusing to return with the eternal exile,and banishing himself completely on the road of art of novel.

Milan Kundera"late style"exileformal experimentationthoughts on life

杨莹

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西北师范大学 文学院,甘肃 兰州 730070

米兰·昆德拉 "晚期风格" 流亡 形式实验 生命之思

国家社会科学基金一般项目

20BZW024

2024

廊坊师范学院学报(社会科学版)
廊坊师范学院

廊坊师范学院学报(社会科学版)

影响因子:0.167
ISSN:1674-3210
年,卷(期):2024.40(3)
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