首页|闽南语电影的文化共性分析——以《同学麦娜丝》和《蕃薯浇米》为例

闽南语电影的文化共性分析——以《同学麦娜丝》和《蕃薯浇米》为例

Commonalities in Minnan-Language Films:A Case Study of Classmates Minus and Koali&Rice

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闽南语电影作为两岸共同的文化符号,不仅展现了艺术创作的地域特色,更是跨文化交流与身份认同重构的重要媒介,肩负着连接两岸、传承并创新传统文化的多重使命.来自台湾的《同学麦娜丝》和来自福建的《蕃薯浇米》两部闽南语电影,以现实主义为叙事核心,聚焦社会底层人群的生活与心理,深刻剖析了不同群体在现代化进程中所面临的生存困境.在文化内涵层面,这两部作品既传承并弘扬了闽南文化中敬天法祖与报本反始的核心理念,又展现了受海洋文化影响而形成的开放与包容特质.此外,它们通过精心构建的空间设定与视听语言,以闽南农田海乡、闽台民间信仰场所等多维视角呈现了当代闽南文化的现实形态.
As a cultural symbol for both sides of the Taiwan Strait,the films in Minnan language used in Southern Fujian(Minnan)and Taiwan not only show the regional characteristics of artistic creation,but also serve as an important medium for cross-cultural exchanges and identity reconstruction,shouldering the multiple missions of connecting the two sides of the Taiwan Strait and inheriting and innovating traditional culture.With realism as the core of their narratives,the two Minnan-language films Classmates Minus from Taiwan and Koali&Rice from Fujian focus on the life and psychology of people at the bottom of the social ladder,and profoundly analyze the existential dilemmas faced by different groups of people in the process of modernization.In terms of film content,these works showcase the Minnan culture's traditions of revering the heavens and honoring ancestors,as well as the traits of openness and inclusiveness shaped by maritime influences.Simultaneously,the spatial settings and audiovisual artistry of the films present various aspects of Minnan culture in contemporary contexts,such as the farmland and fishing sea of Minnan,and the venues for folk beliefs in Fujian and Taiwan.

Minnan-language filmClassmates MinusKoali&RiceMinnan culturerealism

林炜恒、何李

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厦门理工学院文化产业与旅游学院,福建 厦门 361024

厦门理工学院外国语学院,福建 厦门 361024

闽南语电影 《同学麦娜丝》 《蕃薯浇米》 闽南文化 现实主义

2024

厦门理工学院学报
厦门理工学院

厦门理工学院学报

影响因子:0.196
ISSN:1673-4432
年,卷(期):2024.32(6)