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吴冠中绘画作品中的色彩:从再现到抽象

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吴冠中受到林风眠等早期留学海外的艺术家所提出的"中西融合"的思想,在他留学归国后,结合了自身五十年的西画学习经历探索中西文化交流融合的可行性.在吴冠中的作品中我们能看到西方现代主义和中国水墨语言表达形式的交融.本文以对吴冠中有较深影响的两位西方艺术家:梵高、蒙德里安为例,讨论吴冠中对于西方艺术家作品中线条形式的利用与借鉴.结合吴冠中的理论观点与艺术实践,讨论其作品中的色彩构成关系.
Color in Wu Guanzhong's Paintings:from Representation to Abstraction
Wu Guanzhong was put forward by Lin Fengmian and other early artists who studied overseas.After he returned from studying abroad,he combined his fifty years of learning experience in Western painting to explore the feasibility of the fusion of Chinese and Western culture.In Wu Guanzhong's works,we can see the fusion of Western modernism and Chinese ink painting language expression.Taking Van Gogh and Mondrian,two western artists who had a deep influence on Wu Guanzhong,as examples,this paper discusses Wu Guanzhong's use and reference of line forms in Western artists'works.Combining Wu Guanzhong's theory and art practice,this paper discusses the relationship of color composition in his works.

Wu Guanzhongoil paintingChinese paintingcolor

周萱荻

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中国美术学院

吴冠中 油画 国画 色彩

2024

流行色
国际流行色委员会成员——中国流行色协会 上海纺织控股(集团)公司 上海国际服装服饰中心

流行色

影响因子:0.015
ISSN:1005-555X
年,卷(期):2024.(1)
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