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论林庚诗学对"感觉"的再激活

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在"青春写作"遭遇危机的后"五四"时期,林庚诉诸"感觉"话语的新诗理论为"青春写作"开拓新路径.林庚的"感觉"建构与其对唐诗"少年精神"的诠释有密切的内在关联.立足语言和生命的同构关系,林庚将"感觉"定位于日常的涌动生机,提出一种飞跃性的、富于"美的健康"的语言,并对"引渡本真时间"和"打开自由空间"的感觉式意象进行创作实践.林庚的"感觉"论以"静养"诗学和"自然"格律为根本,其诗学思想代表一种从中国自身历史生长而出的有关现代的想象.
On the Revitalization of"Feeling"in LIN Geng's Poetics
During the post May Fourth period,when"youth writing"faced a legitimacy crisis,LIN Geng put for-ward the new poetry theory based on"feeling"discourse to open up a new path for"youth writing".LIN Geng's construction of"feeling"is inherently related to his interpretation of the"youth spirit"in Tang poetry.Positioning"feeling"as the surging vitality of daily life,he proposes a leaping and beautiful language based on the isomorphic relationship between language and life,by which,he creates the images of"extraditing true time"and"opening up free space".LIN Geng's theory of"feeling"is based on the poetics of"tranquility"and the rhythm of"nature",representing a time-related imagination rooted in Chinese hitory.

youth writingLIN Gengpoeticsfeeling

关泽琳

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四川大学文学与新闻学院,四川成都 610207

青春写作 林庚 诗学 感觉

2024

洛阳理工学院学报(社会科学版)
洛阳理工学院

洛阳理工学院学报(社会科学版)

CHSSCD
影响因子:0.192
ISSN:1674-5035
年,卷(期):2024.39(5)