洛阳师范学院学报2024,Vol.43Issue(1) :45-49.

南阳历代八景诗概述及审美意蕴研究

Overview of Eight-Scenery Poems in Nanyang and Research on the Aesthetic Implication

卢富清 白金
洛阳师范学院学报2024,Vol.43Issue(1) :45-49.

南阳历代八景诗概述及审美意蕴研究

Overview of Eight-Scenery Poems in Nanyang and Research on the Aesthetic Implication

卢富清 1白金1
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作者信息

  • 1. 河南大学 文学院, 河南 开封 475000
  • 折叠

摘要

八景诗是八景文化的重要组成部分,南阳早在金代正大年间就已经出现八景诗,现存历代方志中收录的八景诗数量较为可观.这些八景诗横跨三个朝代,创作于不同的历史时期,诗歌的审美意蕴十分丰富.南阳八景诗的审美意蕴既有古典诗词的共性,也呈现出鲜明的南阳特色.南阳八景诗延续了山水诗的创作传统,诗人们钟情山水,对自然之美进行了观照.此外,在进行诗歌创作时,诗人们将南阳的历史文化融汇进八景诗中,使得诗歌带有历史的沧桑与厚重感,呈现出别样的韵味.

Abstract

The eight-scenery poems are an important part of the eight-scenery culture.The eight-scenery po-ems in Nanyang appeared as early as the Zhengda years(1224-1232)of the Jin Dynasty,and the quantity in the existing local chronicles of the past dynasties is considerable.These poems written in different historical periods span three dynasties,and the aesthetic implication proves abundant.The aesthetic implication presents not only the commonness of classical poetry but also distinct characteristics of Nanyang.The eight-scenery poems in Nanyang in-herit the writing tradition of landscape poetry,for poets manifested their affection to the beauty of nature.In addi-tion,the poets integrated the history and culture of Nanyang into the eight-scenery poems,which makes the poems present the historical vicissitudes and massiness,thus showing a unique charm.

关键词

八景诗/南阳/审美意蕴

Key words

the eight-scenery poems/Nanyang/aesthetic implication

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出版年

2024
洛阳师范学院学报
洛阳师范学院

洛阳师范学院学报

CHSSCD
影响因子:0.219
ISSN:1009-4970
参考文献量24
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