首页|中央苏区时期红色歌谣对客家山歌的继承与创新

中央苏区时期红色歌谣对客家山歌的继承与创新

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红色歌谣是红色文化的重要组成部分.中央苏区时期,为了发动广大老百姓参与到推翻黑暗势力统治、寻求获得解放的事业中来,中国共产党大力推动了红色文化的建设.红色歌谣是中国共产党在中央苏区开展文化建设的一大特色,它继承并发展了客家山歌原有的针砭社会时弊、讴歌男女恋情、称颂客家妇女坚韧性格等内容,进而对歌谣的内容和创作群体等进行开创性的改变.中国共产党在中央苏区对客家山歌的继承与创新为当下的文化建设提供了借鉴,在创作中体现坚持党对文化的领导权、秉持文以载道的文化理念、坚持以人民为中心的创作原则等.
Inheritance and Innovation of Hakka Folk Songs by Red Songs during Central Soviet Area Period
Red songs are an important component of the Red culture.During the period of the Central Soviet Area,the CPC vigorously promoted the construction of the Red culture in order to mobilize the people to participate in the cause of overthrowing the rule of the dark forces and seeking liberation.The Red ballad is a major feature of the CPC's cultural construction in the Central Soviet Area.It inherits and develops the original Hakka folk songs,such as criticizing the social ills,eulogizing the love between men and women,praising the tenacious character of Hakka women,etc.,and then makes a pioneering change to the content and creative groups of the ballad.The inheritance and innovation of Hakka folk songs by the CPC in the Central Soviet Area has provided a reference for the current cultural construction.In the creation,it embodies the adherence to the leadership of the Party over culture,the cultural concept of literature as a carrier of morality,and the creation principle of taking the people as the center.

Central Soviet AreaHakka folk songsCPCRed ballads

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广州软件学院 广东从化 510990

中央苏区 客家山歌 中国共产党 红色歌谣

广东省教育科学规划(高等教育专项)课题

2022GXJK374

2024

龙岩学院学报
龙岩学院

龙岩学院学报

影响因子:0.192
ISSN:1673-4629
年,卷(期):2024.42(4)