首页|群体精神符号与主体性异化——网红景观符号的生成、传播与消费

群体精神符号与主体性异化——网红景观符号的生成、传播与消费

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网红地打卡已逐渐成为当下较为普遍的旅游实践.为进一步认识这一现象,文章以迪士尼IP形象玲娜贝儿为分析对象,考察了传播互动实践中网红景观符号的建构过程.研究表明:网红景观符号在主体交互与场域交互的动态加能中生成.它包括个体体验与集体阐释、现场-表征符号-社交平台、生产与消费间持续性地交互、转化与复归,整体构成一个开放、互构、持续的符号生产系统.文章进一步探索了这一系统得以持续性运作的动力机制及主体性的问题,主要表现为在各类关联性的驱动下,主体生发的各类行动都通过消费增值的方式被整合进入整体的系统,推动网红景观符号持续性的再生产.文章分析了网红景观符号的生产及其运作的动力机制,对网红景观符号生成、传播与消费相关现象的认识具有一定启发.
Community-spirit Symbols and Subjectivity Alienation:Generation,Dissemination,and Consumption of Internet-famous Spectacle-symbols
The act of"checking-in"at Internet-famous places has become a prevalent phenomenon in contemporary tourism.This article explores this phenomenon using Disney's IP LinaBell as a representative case.The construction process of iconic,Internet-famous spectacles is investigated in the context of interactive communication practices.The results of this work reveal that the symbolic construction associated with the LinaBell phenomenon is a dynamic process shaped by interactions between individuals and fields.Specifically,LinaBell has evolved from being a character symbol in individual on-site interactions to a representation symbol through media exposure.It then transitions into a community-spirit symbol in the realm of collective platform interactions,periodically returning to its on-site character symbol status,thereby leading new checking-in practices.This dynamic cycle forms an open,continuous,and mutually constructing system of spectacle-symbol production.Throughout this process,the value and meaning of the spectacle-symbol continue to grow until stabilizing.Internet-famous spectacle-symbols are often seen as carriers of community spirit,emphasizing the psychological structures and shared needs of specific groups.Consequently,destinations should leverage platforms to unearth the emotional fabric of their target audience,encouraging the active participation of various subjects in shaping Internet-famous spectacle-symbols.This article delves further into the driving mechanisms sustaining the symbol-production system and underscores the subjectivity problems inherent to its creation.Individuals are not only creators of symbols but also their disseminators and consumers.Within this dynamic,subjects evolve into unpaid symbol workers while actively engaging in the self-production and self-consumption of symbols.Driven by intricate relationships(e.g.,subject-subject,subject-symbol,symbol-platform),the actions of these individuals integrate into the broader symbol-production system as a form of value-added consumption.This fosters a sense of autonomy and satisfaction among subjects,leading them to willingly accept their role within the social machinery and propelling the sustainable reproduction of Internet-famous spectacle-symbols.In summary,this paper primarily analyzes the production system of Internet-famous spectacle-symbols and the driving mechanisms underpinning its operation.This analysis may shed light on related phenomena concerning the generation,dissemination,and consumption of Internet-famous spectacle-symbols.

Internet-famous spectacle-symbolsindividual interactionfield interactionsubjectivity

王丹平、谢彦君

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海南大学旅游学院,海南海口 570228

海南大学旅游体验研究与设计中心,海南海口 570228

网红景观符号 主体交互 场域交互 主体性

国家自然科学基金项目&&

417711657204102500

2024

旅游学刊
北京联合大学旅游学院

旅游学刊

CSTPCDCSSCICHSSCD北大核心
影响因子:2.013
ISSN:1002-5006
年,卷(期):2024.39(2)
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